Sunday, April 19, 2009
Monday, August 25, 2008
My Little Artist
Germy Wormy Philippine Edition inspired by Edvard Munch
She painted this while I was reminding her to clean her hands.
This is her Part 3 from her The Prince and Princess Series
1 The Prince VS The Dragon
2 The Prince Marries The Princess
3 And They Lived Happily Ever After
Doggy Feelings - Mad
Here are the latest paintings of my little one. She explored Boucheareau, Norman Rockwell, Mary Cassatt, Salvador Dali and of course Pablo Picasso. The little one became more self aware and painted herself and didn't forget to include her brother.
I will soon be running out of walls to hang her paintings.
I will soon be running out of walls to hang her paintings.
Sunday, March 23, 2008
The Philippine Flag - A masonry flag?

As I accidentally found the mason website in the country while searching for Tomas Earnshaw, I found this very interesting information. The Philippine flag had mason symbols. A very logical conclusion as Emilio Aguinaldo was a mason and acknowledged Masonry as a major influence in acquiring independence, (A similar statement was said by George Washington as well).
Read on...
The Philippine flag - its masonic roots
the mythological sun was changed to a solid golden sunburst without any marking;Let us now evaluate the statements that postulate the link between the flag and masonry, viz a viz official announcements on the origin and meanings of the flag’s symbols.the eight single rays in Aguinaldo’s flag replaced by eight major rays with two minor beams for each ray;
the size of the equilateral triangle was made larger by making any side equal to the width of the flag at the hoist; and
the colour blue in the upper stripe was standardized to dark blue.
It is not a secret to any person that one of the causes of the Philippine insurrection against Spain, ... was the animosity of the people ... against the religious corporations .... As a result of this animosity against the religious corporations, a tendency which we might call anti-Catholic developed in certain organizations and individuals of the Revolution so that masonry considered the insurrection, and therefore also the revolution , as it own work and even put the triangle in the Filipino flag. As I have already said, this was an evil that had a noxious influence upon the entire body of the Revolution, because Mabini and its followers considered every mason as qualified to carry out any undertaking, and at that time membership in a masonic lodge was the best recommendation a man could possess.In the Question and Answer column of the April 1929 issue of The Cabletow, there appeared the following:
The white triangle represents the distinctive emblem of the famous Katipunan Society, which means of its blood compact suggested to the masses the urgency of insurrection, the three stars represented the three principal islands of the Archipelago, Luzon, Mindanao and Panay, wherein this revolutionary movement broke out: the sun represents the gigantic strides that have been made by the sons of this land on the road to progress and civilization: its eight rays symbolize the eight provinces: Manila, Cavite, Bulacan, Pampanga, Nueva Ecija, Bataan, Laguna and Batangas, which were declared in a state of war almost as soon as the first revolutionary movement was initiated; and the colours blue, red and white, commemorate those of the flag of the United States of North America in manifestation of our profound gratitude towards that great nation for the disinterested protection she is extending to us and will continue to extend to us.In a speech before the Malolos Congress, Aguinaldo added the following nationalistic interpretation of the meaning of the three colours of the flag:
Behold this banner with three colours, three stars and a sun, all of which have the following meaning: the red signifies the bravery of the Filipinos which is second to none, a colour that was first used by the revolutionists of the province of Cavite on the 31st of August 1896, until peace reigned with the truce of Biak-na-Bato. The blue signifies that whoever will attempt enslave the Filipinos will have to eradicate them first before they give way. The white signifies that the Filipinos are capable of self-government like other nations… The three stars with five points signify the islands of Luzon, the Visayas, and Mindanao…And, lastly, the eight rays of the rising sun signify the eight provinces of Manila, Bulacan, Pampanga, Nueva Ecija, Morong, Laguna, Batangas and Cavite where martial law was declared. These are the provinces which give light to the Archipelago and dissipated the shadows that wrapped her… By the light of the sun, the Aetas, the Igorots, the Mangyans, and the Moslems are now descending from the mountains, and all of them I recognize as my brothers.Further explanation was supplied by a letter, dated 6 September 1926, from Carlos Ronquillo, the then private secretary of Aguinaldo, addressed to Emmanuel A. Baja.
The sun I am referring to ... was the mythological sun with eyes, eyebrows, nose and mouth. It was not the artistic one nor the Japanese sun. It was the same sun which appears on the flag of some South American Republics. And I can assure you of this because I drew the design myself by order and instruction of the President, General Aguinaldo.The adoption of the sun was resolved in order that the flag of the Katipunan could be transformed into "the flag of the republic" sustained and defended heroically not only by the Katipunan men but also by the whole people who had joined the Revolution which was started by the worthy "Association of the Sons of the People."
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MASONS IN THE PHILIPPINES- from http://www.pinoyonboard.com/pob/2004/1203_ramos.html
I was looking for more information on the great grandfather of my cousin - Tomas Noguera Earnshaw, the FIRST MAYOR OF MANILA. More on him in succeeding posts.
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Friday, March 21, 2008
Look what I found!


Do you remember Weng Weng? A B movie midget actor in Manila who made movies ala James Bond. Apparently there is an Australian who got so mesmerized by our little Agent 00 that he did a documentary on him.
Read on...
One night in 1996, Australian cult video store owner-turned-guerrilla filmmaker Andrew Leavold dreamt he was in the Philippines directing a documentary about Weng Weng, the long-dead Filipino midget James Bond. Ten years later, he's actually in Manila making a deal with the forces of chaos and following his two-decade obsession to its logical conclusion. It's just the beginning of a very strange adventure, and as fate would have it, it's all captured on film. Armed only with a Mini-DV camera and with a head full of gloriously bad B-movies, Leavold fearlessly leaps into the trenches of the Philippines' once thriving film industry and allows blind chance and serendipity to point the way. He discovers a schizophrenic Asia-cum-America dotted with shopping malls and a scale model of Hollywood now a disaster zone, symptomatic of a country attempting to claw its way out of its post-colonial malaise, yet curiously on the verge of a digital filmmaking revolution. As for Weng Weng: he remains an enigma even to those who worked with him. His reign as the midget Agent 00 was an outrageous novelty that plucked him from complete obscurity and returned him just as quickly. What was he like? When and how did he pass away? In a country of 80 million people, it seems the truth about Weng Weng has slipped between the cracks forever. THE SEARCH FOR WENG WENG leapfrogs from one eccentric character to the next - directors, producers, actors, stuntmen, midget waiters, transvestites and dwarf zombies, each one with a unique place in Filipino cinema - all the while dismantling the country's greatest filmic urban legend. It's part detective story, part forgotten B-film history, and part surreal Quest for the Holy Grail - that is, if the Grail is a two-foot-nine superstar called Weng Weng. Written by Andrew Leavold
DON CARLOS PALANCA TAN QUIEN-SIEN
DON CARLOS PALANCA TAN QUIEN-SIEN
Written by Senor Enrique blogspotOnly about twenty years after arriving in Manila, he had risen as a powerful leader in the Chinese community. His wealth stemmed from importing enterprises, which included sugar and rice. He was also involved in coolie brokerage. Besides the businesses that he presided over, there were many commercial ventures in which his investments raked in enormous profits.
When he converted to Catholicism, his baptismal sponsor was Colonel Carlos Palanca Y Gutierrez — a Spanish forces leader in the Franco-Spanish intervention of 1858-62 in Cohin, China. He then assumed the name of his godfather (padrino); changing it from Tan Quien-sien to Carlos Palanca Tan Quien-sien. He eventually became widely known as Don Carlos Palanca.
He attained the position of gobernadorcillo from 1875-77, and again some years later; serving as the interim gobernadorcillo in 1885 and 1889. And when not in office, he continued to move behind the scenes with undisputed power; an effective arbitrator of disputes as well. For his services as gobernadorcillo, Spain granted him the Medal of Civil Merit and the Grand Cross of Isabel the Catholic.
He was always active in community affairs and philanthropy; raising funds for the community hospital and even provided a building for it himself in 1891. His generous donations extended outside of the Chinese community. There were many exemplary accomplishments attached to his name — the abolishment of vice in the community, the end of police extortions of the Chinese; the abolition of the death penalty for crimes committed by Chinese; and through powerful connections in Spain, softened Spanish legislation on the Chinese
He played a major role in the community’s efforts to obtain a Chinese consulate in Manila during the 1880s and 1890s. When the Americans took control of the country in 1898, he provided the American troops with temporary lodging arrangements, as well as furnished them with coolies to build their barracks. Subsequently, he urged the Ch’ing government to negotiate with the United States for a Chinese consulate in Manila. When the consulate was established in 1899, the Ch’ing government appointed his son, Ignacio Palanca Tan Chueco, to the position of first consul.
When the Philippine Revolution broke out he chose to keep distance; not committing to either side. When the Spanish government charged a number of mestizos with conspiracy, he argued in behalf of some of them and helped secure their release, though his attitude toward the Chinese mestizos was one of contempt. Not a believer of inter-racial marriage, he sent his son to a school in China to thwart his filipinization.
The Spanish and Filipinos, on the other hand, regarded Don Carlos Palanca with mixed sentiments. Their pervasive perception of him was that of a master corrupter; one who would resort to extreme measures just to get what he wanted.
He was thought of as a man obsessed with becoming the Chinese consul. He did assume the interim role of which when his son’s return from China was delayed for several months; unable to immediately fulfill his appointment as consul.
There were speculations among the Filipino intellectuals that Jose Rizal modeled after Don Carlos Palanca his character of Chinaman Quiroga in El Filibusterismo. Jose Alejandrino, a friend of Rizal, confirmed that it was indeed the case. Alejandrino further claimed that Don Carlos Palanca approached Aguinaldo — when he was forming his revolutionary government — about the possibility of creating an opium monopoly.
Despite such controversies, he was, undoubtedly, a powerful force in the Chinese community during the late nineteenth century. When he died in 1901, a statue was erected in the Chinese cemetery as a tribute to his community service and philanthropy.
The Chinese in Philippine Life 1850-1898
By Edgar Wickberg
Ateneo de Manila University Press
Photo of Carlos Palanca credit: Fei-lu-pin Min-li-la Chung-hua Shang-hui san-shi chou-nien k’an ed. Huang Hsiao-ts’ang (Manila, 1936)
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