Sunday, March 23, 2008

The Philippine Flag - A masonry flag?



As I accidentally found the mason website in the country while searching for Tomas Earnshaw, I found this very interesting information. The Philippine flag had mason symbols. A very logical conclusion as Emilio Aguinaldo was a mason and acknowledged Masonry as a major influence in acquiring independence, (A similar statement was said by George Washington as well).

Read on...
The Philippine flag - its masonic roots

Time and again it has been asserted that masonry played an important role in the design of the Philippine flag and that some of its symbols were meant to memorialize the Craft. These assertions are essentially plausible, for the man principally responsible for its design — President Emilio Aguinaldo — was a zealous masonic partisan. In one of his speeches delivered after the Revolution, Aguinaldo said; "The successful Revolution of 1896 was masonically inspired, masonically led, and masonically executed. And I venture to say that the first Philippine Republic of which I was its humble president, was an achievement we owe, largely, to masonry and the freemasons." Speaking of the revolutionists, he added; "With God to illumine them, and masonry to inspire them, they fought the battle of emancipation and won." During the Revolution, Aguinaldo frequently displayed a marked bias in favor of freemasons and masonry. He made membership in the masonic fraternity an important qualification for appointments to government positions. His nepotism was so pronounced, a critic of masonry denounced it as one of the "evils" of the Revolution. In his Memoirs, Felipe Calderon, the President of the Malolos Congress, claimed that the "sectarian masonic spirit" undermined the insurrection. He also argued that some serious dissensions among Filipinos originated, "more than for anything else, from the mania of Aguinaldo, or rather of his adviser, Mabini, to elevate any person who was a mason" It should not come as a surprise to anyone, therefore, if Aguinaldo decided to extol masonry in the Philippine flag.

Some of the claims made in favor of the masonic link of the Philippine flag, however, are so lavish they strain the reader’s credulity. If all are to be accepted at face value, we cannot avoid the conclusion that our national emblem is a clone of the masonic banner and that all the devices and symbols used in it are of masonic origin, from the triangle, to the sun and stars, down to its colours. The lavish claims, however, were made by freemasons and, therefore, the possibility of exaggeration or embellishment, owing to over enthusiasm, cannot be discounted. Moreover, Aguinaldo did not make a written affirmation of the masonic connection of the flag. On the contrary, some of his official statements do not jibe with the exceedingly generous assertions of the freemasons. A close scrutiny of the claims in favor of Freemasonry must, therefore, be undertaken. But first let us describe the Filipino flag.

The Hong Kong designed flag that Aguinaldo brought with him from his exile on board the US dispatch boat McCullock, and which became the official flag of the first Philippine Republic, consisted of two horizontal stripes, blue on top and red below. It had a white equilateral triangle at the hoist that is smaller than that in our flag today. Within the triangle, at its center, a mythological sun was depicted with eyebrows, eyes, nose and mouth in black, bearing eight rays without any minor ray for each, and three five-pointed stars, one at each angle of the triangle. All these devices were in gold or yellow colour.

Shortly after its landing on Philippine soil, the flag saw a baptism of fire and blood in several combats with Spanish colonial troops. On June 12, 1898, it was officially consecrated as our national flag at the ceremonial Proclamation of Independence held at Kawit, Cavite. The signer of the proclamation took their oath of allegiance saying: "The undersigned solemnly swear allegiance to the flag and will defend it to the last drop of their blood."

The Aguinaldo flag served as our national emblem up to the conquest of our country by the Americans. During the American régime, the display of the Philippine flag was proscribed from 1902 to 1919. In October of 1919, the ban was officially lifted, but seventeen years of non-use blurred memories about its details. The generation born under the aegis of the new dispensation was unfamiliar with the flag and the few samples that survived were either tattered, faded or termite-eaten. Hence, when Philippine Flag Day was observed on October 30, 1919, there was no uniformity in the design of the Filipino flag. Any tricolour with or without the sunburst device and three stars within a white triangle was taken as the Filipino flag. For well over a decade the confusion surrounding the design of the flag persisted.

To do away with irregularities and discrepancies, President Manuel L. Quezon issued Executive Order No. 23, on March 25, 1936, specifying the different elements of the flag. Quezon not only set a uniform pattern for the making of our national emblem as to the size and arrangement of its symbolic elements, he also caused major amendments of its features, to wit:
the mythological sun was changed to a solid golden sunburst without any marking;

the eight single rays in Aguinaldo’s flag replaced by eight major rays with two minor beams for each ray;

the size of the equilateral triangle was made larger by making any side equal to the width of the flag at the hoist; and

the colour blue in the upper stripe was standardized to dark blue.
Let us now evaluate the statements that postulate the link between the flag and masonry, viz a viz official announcements on the origin and meanings of the flag’s symbols.

Masonic Claims -

Among the more credible assertions relied upon to establish the tie between masonry and the flag are the following:

In October 1899, Ambrocio Flores, Grand Master of the Gran Consejo Regional and at that time a general in the army of Aguinaldo, wrote letters to the Grand Lodges in the United States appealing to them to employ their influence to help the fledgling Philippine Republic. In these letters he compared the Philippine flag to the masonic banner saying, "...this national flag resembles closely our masonic banner starting from its triangular quarter to the prominent central position of its resplendent sun surrounded in its triangular position by three 5-pointed stars. Even in its three coloured background, it is the spitting image of our Venerable Institution’s banner so that when you see it in any part of the world, waving with honor amidst the flags of other nations and acknowledged by these nations, let us hope that with this flag, and through it, our common parent, Freemasonry will likewise be so honored."

In his beautiful Grand Oration pronounced in 1928, historian Teodoro M. Kalaw, Sr., uttered these words: "And the triangle appearing on the Philippine flag, the loftiest symbolism of the struggles of the Filipino people, was put there, according to President Aguinaldo, as an homage to Freemasonry."

Felipe Calderon, writing with a pejorative and anti-masonic tone, said in his Memoirs:
It is not a secret to any person that one of the causes of the Philippine insurrection against Spain, ... was the animosity of the people ... against the religious corporations .... As a result of this animosity against the religious corporations, a tendency which we might call anti-Catholic developed in certain organizations and individuals of the Revolution so that masonry considered the insurrection, and therefore also the revolution , as it own work and even put the triangle in the Filipino flag. As I have already said, this was an evil that had a noxious influence upon the entire body of the Revolution, because Mabini and its followers considered every mason as qualified to carry out any undertaking, and at that time membership in a masonic lodge was the best recommendation a man could possess.
In the Question and Answer column of the April 1929 issue of The Cabletow, there appeared the following:

Question - The statement was frequently made that the triangle, sun, and stars in the Philippine flag are of masonic origin. This same statement, made by the managing editor of the CABLETOW in a lecture delivered by him, has lately been repeated in Bro. Emmanuel A. Baja’s book entitled "Our Country’s Flag and Anthem." Having heard the correctness of this statement doubted, I would like to know on what authority it is based.

Answer. - The Editor of this column has heard this statement made by several freemasons who can be considered authorities on the subject, including Wor. Bro. Emilio Aguinaldo, erstwhile president of the Philippine Republic, Bro. Tomas G. del Rosario, M. W. Bro. Felipe Buencamino, and several others. x x x."

PGM Emilio Vitara, a long time private secretary of President Aguinaldo, revealed that Aguinaldo personally acknowledged the indebtedness of the Philippine flag to masonic emblems and symbols.

Official and semi-official explanations of the symbols -

Ranged against the forgoing claims, are the following official and semi-official pronouncements relative to the symbols in the flag: In the Proclamation of Philippine Independence signed in 1898 by Aguinaldo and 96 other Filipino leaders, which consecrated the Hong Kong-designed flag of Aguinaldo as the national emblem of our country, it was stressed:
The white triangle represents the distinctive emblem of the famous Katipunan Society, which means of its blood compact suggested to the masses the urgency of insurrection, the three stars represented the three principal islands of the Archipelago, Luzon, Mindanao and Panay, wherein this revolutionary movement broke out: the sun represents the gigantic strides that have been made by the sons of this land on the road to progress and civilization: its eight rays symbolize the eight provinces: Manila, Cavite, Bulacan, Pampanga, Nueva Ecija, Bataan, Laguna and Batangas, which were declared in a state of war almost as soon as the first revolutionary movement was initiated; and the colours blue, red and white, commemorate those of the flag of the United States of North America in manifestation of our profound gratitude towards that great nation for the disinterested protection she is extending to us and will continue to extend to us.
In a speech before the Malolos Congress, Aguinaldo added the following nationalistic interpretation of the meaning of the three colours of the flag:
Behold this banner with three colours, three stars and a sun, all of which have the following meaning: the red signifies the bravery of the Filipinos which is second to none, a colour that was first used by the revolutionists of the province of Cavite on the 31st of August 1896, until peace reigned with the truce of Biak-na-Bato. The blue signifies that whoever will attempt enslave the Filipinos will have to eradicate them first before they give way. The white signifies that the Filipinos are capable of self-government like other nations… The three stars with five points signify the islands of Luzon, the Visayas, and Mindanao…And, lastly, the eight rays of the rising sun signify the eight provinces of Manila, Bulacan, Pampanga, Nueva Ecija, Morong, Laguna, Batangas and Cavite where martial law was declared. These are the provinces which give light to the Archipelago and dissipated the shadows that wrapped her… By the light of the sun, the Aetas, the Igorots, the Mangyans, and the Moslems are now descending from the mountains, and all of them I recognize as my brothers.
Further explanation was supplied by a letter, dated 6 September 1926, from Carlos Ronquillo, the then private secretary of Aguinaldo, addressed to Emmanuel A. Baja.
The sun I am referring to ... was the mythological sun with eyes, eyebrows, nose and mouth. It was not the artistic one nor the Japanese sun. It was the same sun which appears on the flag of some South American Republics. And I can assure you of this because I drew the design myself by order and instruction of the President, General Aguinaldo.
The adoption of the sun was resolved in order that the flag of the Katipunan could be transformed into "the flag of the republic" sustained and defended heroically not only by the Katipunan men but also by the whole people who had joined the Revolution which was started by the worthy "Association of the Sons of the People."

A few months before the Peace of Biak-na-Bato, the Battalion of Pasong Balite, whose commander was the brave gallant General Gregorio H. Del Pilar, had adopted as their ensign a flag which much resembled the present national flag. It had a blue triangle without a sun or stars, the upper half portion was red and the lower half was black. Like the present Philippine flag, its general outline was inspired also by the Cuban flag.

From these statements it would seem that the devices in the flag were adopted for reasons other than paying homage to Freemasonry. Only the triangle is traceable to Freemasonry through the Katipunan which itself was admittedly and unabashedly patterned after Freemasonry. Even the models would appear to be not the masonic banner, but the flags of Cuba, Argentina, Paraguay and Uruguay. With all these as a backdrop, let us now evaluate and examine the contentions of the freemasons.

The letter of Flores -

The assertion of Ambrocio Flores that the Filipino flag was a spitting image of the masonic banner definitely packs a lot of weight. As a General in the army of Aguinaldo, Flores was familiar with the Filipino flag, and as Grand Master of the Gran Consejo Regional he was also thoroughly conversant with the masonic banner. He, therefore, knew what he was thinking about when he compared the flag of the masonic banner. Unfortunately no document has come down to us that corroborate the statement of Flores. His claim, therefore, cannot be verified.

The triangle -

The loftiest and most sublime symbol of masonry in the days of the Revolution was the equilateral triangle. The masonic ritual called it the most perfect figure that could be drawn with lines and regarded it as an appropriate emblem of perfection or divinity.

The triangle was the first masonic object shown to a candidate for the admission into the mysteries of the craft. Prior to initiation he was brought to a chamber of reflections by the "Terrible" and placed in front of a table upon which was laid a triangle. Here he was obliged to answer questions concerning his concept of man’s duty to God, to himself and to his fellowmen. Inside that lodge the triangle was everywhere. It was on aprons worn by all the officers and members. Stone triangles were placed upon the throne of the "Venerable Maestro" (Worshipful Master) and on the altars of the "Prime Vigilante" (Senior Warden) and the "Segundo Vigilante" (Junior Warden). The tables of the Senior and Junior Wardens and the "Limosnero" (Almoner) were triangular in shape and so were the stools provided for the initiates. The perfect ashlar was represented by a "cubico pyramidal." And the noblest emblem in the lodge, the one which is equivalent to today’s letter "G" suspended in the East in all lodges, was the "Delta Sagrada" (Sacred Triangle) with the name of the Great Architect of the Universe inscribed in the center in Hebraic characters.

The triangle also appeared constantly in masonic communications. Many words frequently employed in documents, like taller, logia, hermano, Venerable Maestro, bateria, Salud, Fuerza y Union, were abbreviated and the abbreviations ended not with single dot but three dots arranged in a form of triangle.

In as much as the triangle was the heavyweight among masonic emblems, it became the favorite symbol of the freemasons, including Aguinaldo. This is the symbol the freemasons inscribed on their rings, cuff-links and other jewelries. Aguinaldo, for his part, used it repeatedly in his letters and documents. He incorporated it in the postage and telegraph stamps issued by his government and on the coins which he ordered minted. Even the insignias on the chevrons of the officers of the Revolution bore the triangle. In social gatherings Aguinaldo never forgot the triangle. On his 31st birthday (22 March 1900), he served lunch to his guests in his mountain hideout on a "triangular table for 150 persons." When the anniversary of the ratification of Philippine independence by the Malolos Congress was celebrated in Palanan, Isabela on 29 September, Aguinaldo again tendered lunch for the celebrants on a huge triangular table that could seats 200 persons. Years later, when he entertained his guests in the spacious yard of his mansion in Kawit, Cavite after his installation as Master of his lodge, had all the tables where food was served arranged in the form of a giant triangle.

The Spanish authorities were also aware of the importance placed by freemasons upon the triangle. Its discovery on any document was taken as a dead give-away that it was masonic. Thus, among the pieces of evidence accepted as proof of the guilt of the Thirteen Martyrs of Cavite, were a booklet with a triangle on its frontispiece and a large photograph confiscated from Hugo Perez, the Master of España en Filipinas lodge in Cavite containing several pictures of the members of his lodge arranged in triangular form.

In light of the important role the triangle played in masonic rituals and symbolism it would be the logical and natural choice of any endeavor to pay tribute to Freemasonry. Taking into account Aguinaldo’s ardent love affair with the masonic triangle, and considering further that the claimed masonic tie of the triangle in the Filipino flag does not collide with official explanations of the symbols in the flag, and considering, finally, that even a masonic critic in the person of Calderon asserted that the triangle was included in the flag by freemasons, I submit we can accept the statement which Kalaw attributed To Aguinaldo that the triangle in the flag was placed there as a tribute to masonry. The Sun, Stars, and Colors - The sun, stars, and colours red, white and blue are minor emblems in the pantheon of masonic symbolism. They were overshadowed by the square, compasses, level, plumb, etc. The only place were the sun, stars, and the three colours had a degree of importance was in the "Decoracion de la Logia" (Decoration of the lodge).

The rituals of the Grand Oriente Español most emphatically stated that the lodge was a representation of the universe. It directed that the lodge be rectangular in shape and its four walls be denominated East, South, West and North. In the East it was required that a "disco radiante" (radiant disk) be placed representing the sun. Rays radiated from the East, diminishing in brilliance until they reached the West where they were convered with clouds. The ceiling was painted to represent a starlit sky. Stars were also used on the fingers of the canopy covering the throne of Venerable Master. Likewise the altar was draped with red velvet on which was embroidered the square and compasses with a five-pointed stars in the center. Furthermore, a five-pointed star, with the letter "G" in the center, was the symbol of the fellow craft degree.

Red and blue were the dominant colours in the lodge. The walls of the lodge were draped with blood red colour (colgaduras encarnadas) and the altars of the Wardens, the tables of the Orator, Secretary, Treasurer and Almoner, the long benches, the stools for initiates, and all the chairs in the lodge were upholstered or covered with red. On the other hand, the canopy covering the throne of the Worshipful Master was sky blue and even the ceiling of the lodge had a hint of blue. To a Master, therefore, sitting upon his throne, the colours which he saw if he looked straight ahead or to either side was red, and blued if he looked up. Also, the banner which the Statues prescribed for the Federation of the Gran Oriente Español had a blue stripe on top and a red one at the bottom. That for a Blue lodge was blue and the one for a Chapter of Rose Croix was red.

If we give a free reign to our imagination, a similarity between the decoration of the lodge and the Filipino flag could easily be perceived. But imagination cannot be the basis for the historicity of the masonic heritage of the flag. Moreover, it is doubtful if Aguinaldo in those days ever saw a lodge decorated in strict accordance with the specification of the ritual. Masonic meetings were then held on the run, because of the persecution of freemasons by the Spanish colonial powers. Meetings had to be kept secret from profane eyes and were moved from one place to another to avoid detection. Even the triangular tables and other paraphernalia had to be so designed that they could be dismantled and rearranged at a moment’s notice to resemble ordinary furniture. For freemasons to have painted the walls and ceiling of their meeting place in conformity with ritual would have been the height of imprudence. The most that can therefore be said is that Aguinaldo must have been aware of the prescribed decoration of the lodge through the rituals with which he was undoubtedly familiar.

In conclusion, I submitted that of all the symbols and devices in the flag it is only the triangle whose masonic parentage may be accepted. The basis for the masonic link of the sun, stars, and colours of the flag are too slim to make out a solid case. But the presence of even only one masonic symbol in the flag should make freemasons proud. After all, it was the premier symbol of the Craft — the symbol of perfection — that was selected for inclusion.

The masonic connection of the Philippine flag does not end with its design. Freemasons have played significant roles during the most memorable events where the flag has been unfolded on Philippine soil. On June 12, 1892, when Philippine independence was proclaimed at Kawit, Cavite a Proclamation of Independence, written by freemason (Ambrocio Rianzares Bautista) and signed by another mason (Aguinaldo), was read. Thereafter a freemason (Rianzares Bautista) displayed the flag before the populace. On October 14, 1943, Philippine Independence was proclaimed anew under the sponsorship of the Japanese Imperial forces. A freemason (Jorge B. Vargas of Sinukuan lodge) read the proclamation terminating the Japanese Military Administration and thereafter another freemason (Aguinaldo) hoisted the flag marking the first time since the start of the Japanese occupation that the flag was displayed in public. On July 4, 1946, for a third time, Philippine independence was announced to the world. On this occasion a Proclamation signed by a mason (President and PGM Harry S. Truman) was read by another freemason (Paul V. McNutt) at the Luneta after which a third freemason (President Manuel A. Roxas, Past Master of Makawiwili lodge No. 55), raised the Philippine standard.

Considering the historic link between the Philippine flag and Freemasonry, no one should begrudge the freemasons of the Philippines if they behold our flag with unbounded pride. To Philippine freemasons, the flag is not only an emblem of liberty and a symbol of the valour and sacrifices of our people, it is also a memorial to the fraternity which they so dearly loved.

Text provided by MW Bro. Reynold S. Fajardo, PGM, GMH. Grand Secretary, Grand Lodge of the Philippine, 2004/11/15

MASONS IN THE PHILIPPINES- from http://www.pinoyonboard.com/pob/2004/1203_ramos.html

I was looking for more information on the great grandfather of my cousin - Tomas Noguera Earnshaw, the FIRST MAYOR OF MANILA. More on him in succeeding posts.


It is so interesting as it talks about masonry in the Philippines and even identifies who the Grand Masters are. Aside from Jose Protacio Rizal who is really Jose Rizal Protacio being a Mason, other famous people in more modern times are:

During the American and Japanese era we had Manuel Quezon, Sergio Osmena, Manuel Roxas, Jose Abad Santos, Gen. Douglas MacArthur, Gen. Vicente Lim, Dr. Jose P. Laurel, Claro M. Recto, Camilo Osias, Benigno Aquino Sr.

and more surprising revelations:
the first Filipino initiated was Jacobo Zobel, an ancestor of the Ayala and Zobel Business Empire.
In the Constitutional Convention of 1935, 41 delegates were Masons; among them were Manuel Roxas, Jose Laurel, Camilo Osias, Conrado Benitez, Rafael Palma, Pedro Guevarra, and Vicente Francisco.

Claro M. Recto and Jose P. Laurel
, Pedro Guevarra, Camilo Osias, Rafael Palma, Rafael Alunan Emilio Tria Tirona, Teodoro Yangco, Filemon Perez, Ceferino de Leon, Tomas Earnshaw, Quintin Paredes, Jose Abad Santos, Conrado Benitez, Jorge Vargas, Maximo Kalaw, Arsenio Luz.


The legacy of freemasons in Philippine history
Rodel J. Ramos


No fraternal organization has ever been persecuted, maligned, suspected, or blamed more for things that happened in the World than the Freemasonry. This secret society has developed a certain mysticism that intrigues many people because of their behind closed door meetings, secret handshake and passwords. Communists, dictators, religious fundamentalists and even the Catholic Church banned this fraternity centuries ago. Still others think they can manipulate governments just like what happened in Italy decades ago.

But if this group is as evil as feared by some, why would many of our intellectuals, heroes, and martyrs join such a brotherhood? In many instances, Freemasons were not mere participants but leaders of movements. History records them as pioneers, martyrs, heroes, liberators, and nation builders. The French and American and Philippine revolutions had inspiration and leadership of Freemansons.

The tenets

Members explain that Freemasonry is a voluntary association of men, a fraternal society. It is a system of moral conduct, and a way of life. It is religious in its character, teaches the Golden Rule and morality through symbolism. It uses secret rites and ceremonies. It is based on a firm belief in the Fatherhood of God, the Brotherhood of Man and the Immortality of the Soul. Its great tenets are: Brotherly love, Relief, and Truth. Its motto was used in the French revolution “Liberty, Equality, Fraternity.” Their sacred triangle can be found in the American dollar and the Philippine Flag. In its ranks you can find Christians, Buddhists, Muslims, Hindus, Catholics, and even followers of Confucius embrace each other as brothers. Are they not the forerunner of ecumenism that the Churches are just fulfilling now?

Albert Pike expresses the libertarian principles of the brotherhood ”Masonry is engaged in her crusade, - against ignorance, intolerance, fanaticism, superstition, uncharitableness, and error. She does not sail with trade-winds, upon a smooth sea, with a steady free breeze, fair for a welcoming harbor; but meets and must overcome many opposing currents, baffling winds, and dead calms.”

Because the Spaniards, Americans, the Church and our very own elite society wanted to hide their atrocities, they censured our history and the truth was never revealed. Even the two novels of Rizal were banned for decades. Because Filipino Masons were able to hide and preserved records, their archives are a great source of historical facts.

In researching these achieves, we found out that four of our Presidents were Masons, Gen. Emilio Aguinaldo, Manuel Quezon, Manuel Roxas, and Jose P. Laurel the puppet Government during the Japanese occupation.

Most of the leaders of the Spanish revolution were masons - Graciano Lopez Jaena, Dr. Jose Rizal, Marcelo H. del Pilar, Emilio Aguinaldo, Andres Bonifacio, Apolinario Mabini, Jose Alejandrino, Antonio and Juan Luna and many others. During the American and Japanese era we had Manuel Quezon, Sergio Osmena, Manuel Roxas, Jose Abad Santos, Gen. Douglas MacArthur, Gen. Vicente Lim, Dr. Jose P. Laurel, Claro M. Recto, Camilo Osias, Benigno Aquino Sr. and many more.

Persecutions

During the Inquisition, Freemasonry was one of those banned and actively persecuted by the Church and kings of Europe. A Royal letter Patent issued by the Council of Regency of Spain was the first official prohibition of Masonry. In 1814, Ferdinand VII of Spain abolished the constitution and re-established the Inquisition.

The Roman Catholic Church considered Masonry then as godless, anti-Christ and heretics. The Masons in the Philippines waged a long, arduous struggle for religious freedom and against bigotry.

In the 1872 Cavite mutiny, along with three Filipino priests Burgos, Gomez and Zamora 13 martyrs were executed, seven were Freemasons.

In July 2, 1896, a Royal Degree was issued in Spain ordering more stern measures against member of the Masonic Order in the Philippines. “Secret societies among them and very specially Masonry have used their influence widely and regrettably in a most disruptive manner, in our colonial problems. These societies, by the mere fact of being secret, are illicit and illegal, harmful in every state and a source of insidious evil in a territory like the Philippines.

During the reign of terror (1895-1897) our national hero Dr. Jose Rizal was executed by firing squad in Bagumbayan, now Rizal Park Dec. 30, 1896 for being a Freemason. Days after, 11 other masons were executed including Ariston Bautista, Faustino Villaruel, Luis Villareal, Agustin de la Rosa, et. al. They were blamed for the growing rebellion against the injustice and abuses of the Spaniards and friars. The suppressive Spanish rule lasted more than three centuries (1665-1898).

The Japanese authorities during their Philippine occupation looked upon Masonry with aversion and revenge. They claim the Masonic and Shrine movement originates in Paris and is a Jewish revolutionary organization designed to overthrow established government… indirectly, that they must be persecuted, tormented, humiliated, reviled without respite. Supreme Court Justice Jose Abad Santos, a mason was executed in Malabang, Lanao for refusing to cooperate. Grand Master John R., McFie was killed by Japanese shell while interned at U.S.T. (Concentration camp), Deputy Grand Master Jose P. Guido was beheaded in the presence of his family; Jose de los Reyes, P.G.M. was also killed.

And because Masons never answer allegations, nor are allowed to brandish their good deeds, their mysticism continued.

Beginning

Although Masonry existed in the Philippines even before 1756, the first Filipino initiated was Jacobo Zobel, an ancestor of the Ayala and Zobel Business Empire. In 1871 King Amadeo of Spain appointed Lt. Gen. Rafael de Izquierdo as Governor General of the Philippines. They were both masons.

It was during the term of Grand Master Miguel Morayta in 1889 that masonry was opened to the natives. Others were able to join abroad before that. In April 1, 1889, Graciano Lopez Jaena in Barcelona, Spain founded Lodge Revolucion. This was later dissolved and Lodge Solidaridad was formed. Jose Rizal, Mariano Ponce, Marcelo H. Del Pilar, Jose Alejandrino, Antonio and Juan Luna and Pedro Serrano Laktaw were initiated here. It was this group of intellectuals who petitioned the Spanish Parliament for the restoration of Philippine Parliamentary representation. They called attention to the sad fate of the Philippines that languished under the shadow of intolerance and tyranny. They published the La Solidaridad newspaper to further their cause. They implored the support of masons all over Europe. Marcelo H. del Pilar and Pedro Serrano Laktaw were appointed to organize Philippine Masonry. It was through this secret society that the Noli and Fili were distributed discretely among Filipinos and it took sometime before it was discovered. It had already opened the eyes of Filipino intellectuals.

In July 3, 1892 Dr. Jose Rizal founded the Liga Filipina, a peaceful, civic association of Filipinos aimed at seeking reforms. Its motto was Unus Instar Omnium (One Like All.) Four days after, Rizal was arrested and imprisoned at Fort Santiago and then deported to Dapitan until July 31, 1896.

Andres Bonifacio the “great plebeian” with fellow masons Valentin Diaz, Teodoro Plata, Ladislao Diwa and Deodato Arellano founded the Katipunan July 7, 1892 in Azcarraga St., Tondo, Manila. Its initiation rites and secrecy was similar to the Freemasons. By 1896 this revolutionary society swelled to 100,000 members. On August 19 of that year Spanish authorities discovered its existence by the confession of the wife of a Katipunero to a parish priest. Many members and sympathizers of the movement were arrested. In August 26, the “Cry of Balintawak,” was shouted.

Later, a new revolutionary leader arose from Kawit, Cavite. Emilio Aguinalo was inducted to Freemasonry in Imus January 1, 1895. He was initiated by Bonifacio in the Katipunan. But while Bonifacio believed that the Katipunan should carry on the fight, Aguinaldo as a military leader insisted that a new revolutionary government should be established to supervise the struggle. On October 31, 1896 Aguinaldo issued at Kawit his manifesto proposing that the new government shall be based on the principles of “Liberty, Equality, Fraternity” the motto of masonry.

Spanish-American War

In April 25, 1898, the United States declared war against Spain. Aguinaldo who was exiled in Hong Kong was approached by emissaries of Admiral Dewey to collaborate with the Americans to defeat the Spaniards in the Philippines. Arms were supplied and Aguinaldo was spirited to the country. On May 24, 1898 General Aguinaldo proclaimed the establishment of the Dictatorial Government followed by the proclamation of Philippine Independence at Kawit on June 12. Another Mason, Apolinario Mabini was responsible for laying down the foundations of the First Philippine Republic. He was Premier and Secretary of Foreign Affairs in the first Cabinet of President Aguinaldo. Antonio Luna, another Freemason was Director of War.

Separation of Church and State

During the promulgation of the Constitution of the Philippine Republic in Malolos in 1899, the Masons led by Antonio Luna fought and won the separation of Church and State. Felipe Calderon, another delegate proposed Catholicism be the state religion.

In the Constitutional Convention of 1935, 41 delegates were Masons; among them were Manuel Roxas, Jose Laurel, Camilo Osias, Conrado Benitez, Rafael Palma, Pedro Guevarra, and Vicente Francisco. They incorporated the Masonic Principles and saw to it that “No religious test shall be required for the exercise of civil or political rights.”

Later, two Masons, Claro M. Recto and Jose P. Laurel sponsored a bill for all students to study the banned Rizal books, Noli and Fili.

Filipino-American war

The Americans did not honor their word with Aguinaldo that independence will be granted to the Filipinos after Spain was defeated. The Treaty of Paris ceded the country to the Americans and it started the Fil-American war. Against a powerful war machine, the Filipinos with shortage of arms could not win the war. In March 23, 1901, General Funston arrested Aguinaldo. He was imprisoned in Malacanang Palace but was treated well by a fellow mason, Gen. Arthur MacArthur who was the Military Governor General.

To expedite the transfer of the government from military to civilian authorities, Pres. William McKinley, a mason appointed the First Philippine Commission (Schurman Commission) on January 20, 1899. The Second Commission (Taft Commission) was appointed March 16, 1900 with legislative and executive powers. A Civil Government was inaugurated July 4, 1901 with Judge William H. Taft, as first Civil Governor. Taft was also a mason. He popularized the “Philippines for the Filipinos”. He worked for the passage of the Philippine Bill of 1902 establishing complete civilian government.

In July 31, 1899, Ambrosio Flores, Grand Master beseeched the American Masons to use their influence to end the war and recognize the independence of the Philippines. Rafael del Pan was commissioned to coordinate with American Masons. Mark Twain, and other Masons led the media campaign to sway the American public. Masons in the U.S. Congress and Senate sponsored bills to give back independence.

When the Americans were debating whether the Filipinos were civilized or barbarians due to the massacre of an Infantry in the Visayas by women of a Village whose husbands were murdered by that Infantry, a U.S. Senator, a Mason stood before the august body and read the poem of Dr. Jose Rizal “Last Farewell” and asked, “Is this the work of a barbarian.” This ended the debate.

The proclamation of the existence of complete peace in the Philippines was by President Theodore Roosevelt, also a Mason raised in Long Island, New York. Filipinos then began to organize political parties. An election of all-Filipino delegates for the First Philippine Assembly was held. Sergio Osmena was Speaker and Manuel Quezon as majority floor leader. Both were Masons.

In 1913, under President Woodrow Wilson’s administration, Francis Burton Harrison, another Mason was appointed governor-general. He placed within the reach of the Filipinos the instruments of their redemption. He worked for the Jones Law of 1916 - Philippine Autonomy Act - which stated the purpose of the United States is to withdraw their sovereignty over the Philippine Islands and to recognize their independence as soon as a stable government can be established. Harrison Filipinized the Government and at the end of his term in 1921 it was 96% controlled by Filipinos.

During all these times, missions were formed to work for the independence of the Philippines, majority of them were chaired and manned by Masons - Manuel Quezon, Sergio Osmena, Pedro Guevarra, Camilo Osias, Rafael Palma, Rafael Alunan, Emilio Tria Tirona, Teodoro Yangco, Filemon Perez, Ceferino de Leon, Tomas Earnshaw, Quintin Paredes, Jose Abad Santos, Conrado Benitez, Jorge Vargas, Maximo Kalaw, Arsenio Luz and others. They worked and influenced masons in the U.S. Government, the media and the Masonic Lodges all over America.

As early as January 12, 1916, Senator James P. Clarke, a member of Western Star Lodge No. 2 of Arkansas introduced an amendment to the Philippine Bill, which would grant independence to the Philippines within a few years. His amendment was approved by the U.S. Senate, but was defeated in the House of Representatives by a slim margin, thus the Filipinos had to wait another 40 years before Philippine independence was finally proclaimed by the United States.

The first Philippine Independence measure passed by the American Congress was the Hare-Hawes-Cutting bill vetoed by Pres. Herbert Hoover. Another mission led by Senate President Quezon secured the passage of the Tydings-McDuffie Law approved on March 24, 1934 by Pres. Franklin D. Roosevelt, a Freemason of New York City. It called for a Constitutional Convention to frame the Constitution of the Philippines. It provided for Commonwealth Government and upon the final withdrawal therefrom of United States sovereignty, said Commonwealth shall be known as the Republic of the Philippines. Manuel Quezon became President and Sergio Osmena as Vice President.

World War II

The Japanese bombed Pearl Harbor and the Philippines on December 8, 1941. The United States Armed Forces in the Far East (USAFFE) was under Lt. Gen. Douglas MacArthur, inducted as member at Manila Lodge No. 1. Because the Americans gave Europe priority in the war and send no support, the Philippines lost the battle. Brigadier Gen. Vicente Lim, a Mason was in charged of 7,000 officers and men of the 41st division, which became known as the “Rock of Bataan” was in the frontline of the battlefield. Out of the 78,000 Fil-American troops in Bataan, only 4,000 were Americans and they were held at the rear as reserves. Vicente Lim was the first Filipino to graduate in West Point with former President Dwight Eisenhower in 1914.

As we know, the Japanese expected the country to fall in days but the fighting lasted for four months giving time for the Allied forces to re-arm and save Australia and New Zealand from invasion. In April 9, 1942, Bataan fell. Prisoners were forced to march from Mariveles, Bataan to San Fernando, Pampanga. Those who survived the summer heat, hunger, thirst, disease, and execution were herded into trains to Capas Tarlac Concentration Camp. More than 40,000 soldiers were estimated to have perished in this battle. In the airwaves that day, Voice of Freedom echoed, “Bataan has fallen, but the spirit that made it stand, a beacon to all the liberty loving people of the world cannot fall.” On May 6, 1942 Corregidor fell.

Dr. Jose P. Laurel of Batangas Lodge with fellow masons Jorge Vargas, Rafael Alunan, Antonio de las Alas, Quintin Paredes, Camilo Osias, Benigno Aquino Sr. and others were ordered to serve the Japanese colonizer, a puppet government. Laurel was appointed President. They accepted their duties to ease the pains of their people and lessen the damage. Most of the masons however refused to submit to the new invaders and joined the Guerrilla resistance movement.

President Quezon with his family and other masons left for the United States early in 1942 to influence the government to support the war in the Pacific and give independence to the Philippines. Gen. Douglas MacArthur fought hard to convince the Americans to come to the aid of their colony. In June 29, 1944, the American Congress passed Joint Resolution No. 93 authorizing the President of the United States to proclaim the independence of the Philippines on July 4, 1946.

Gen. MacArthur returned October 20, 1944 landing in Leyte and the Philippine Commonwealth was restored October 23, 1944 with Osmena as President. Quezon died in Saranak Lake, New York August 1, 1944 never to see the fruits of his efforts. Manuel Roxas followed as President of the Commonwealth April 23, 1946. In July 4, 1946, the Philippine Independence was proclaimed at the Luneta. U.S. President Harry Truman’s Proclamation was read by High Commissioner Paul McNutt, both were masons.

After the war, Gen. MacArthur helped spread the seeds of Philippine Masonry in Japan, Korea and Saipan. In 1955, Prime Minister of Japan Ichiro Hatoyama, and Yahachi Kawai, President o the House Counselors of the Japanese District were introduced to the mysteries of Freemasonry under Philippine jurisdiction.

Other contributions

The first labor union, the Union Obrera Democratico Filipina was founded by Isabelo de los Reyes, a mason. In 1902, May 1, Dr. Dominador Gomez led the first Philippine Labor Day. Act. No. 1818 was passed 6 years later declaring May 1 Labor day. Gomez was a mason too.

Bishop Gregorio Aglipay, founder of the Philippine Independence Church was a Mason. The Katipunan took control of many of the Roman Catholic Churches and gave it to the Aglipayan Church. The Americans gave it back.

Pres. Carlos P. Garcia paid tribute to the Masonic fraternity. “I cannot help but take cognizance of the great and noble work which your grand fraternity had done and is still doing for freedom of thought and conscience, for democracy and for equality. In our country and in the U.S., members of your brotherhood led in the fight for the sacrosanct cause of liberty, equality and fraternity.

The late Rafael Salas, the brilliant Executive Secretary of Pres. Ferdinand Marcos who resigned because he cannot stand the abuses was a member of the Order of Demolay, a Masonic fraternity for young men. Salas became the head of the Population Control of the United Nations.

During the years of Marshal Law, Sen. Jose Diokno, a mason fought fearlessly against the evils of the Marcos regime. He was imprisoned with Sen. Benigno Aquino and accused of being too friendly to the NPA but contributed much to the nationalistic cause. Justice Calixto Zaldivar stood pat on his principles defying the dictatorship. He also was a mason.

At the EDSA revolution, Worshipful Master Col. Tirzo Gador who was the provincial commander of Cagayan at that time led one hundred Cagayanos in defense of the rebellion. The so-called “Cavaliers” composed of Masons surrounded Gen. Rene Cruz, Senior Warden of Araw Lodge No. 18 in Camp Crame. Past Grand Master Rosendo Herrera - together with his family - defied tanks in that glorious EDSA experience. Past Grand Master Reynato S. Puno, Deputy Minister of Justice, met with Senator Jovito Salonga when Justice Estelito Mendoza was nowhere to be found.

MW Teodoro M. Kalaw, past Grand Master of the Philippines observed: “In these days of peace and goodwill, under a government that neither condemns nor persecutes, but rather encourages and helps those who work for the benefit and progress of humanity, Masonry which is a universal institution to which many honest men belong, irrespective of religion, race or nationality, will be able to teach the Filipinos that the ideal life is that in which nobody interferes with the beliefs of others; in which everybody may profess the ideas that each considers best, if within the law; in which everyone is free to adore his God in his own way; in which all may practice as they deem advisable the commandment of “Love they neighbor as thyself; charity towards the needy, tolerance and humility towards the poor, justice and truth towards all; in which there is no hatred, but love, no division of classes, but fraternal cooperation, no monopolies for the few, but opportunities for everybody; and in which all will understand that morality is not expressed in words, or even in thoughts, but in daily deeds, in every industrial, commercial, agricultural activity, in every phase, in short, in human existence.”

Even today, Masons are working for the preservation of our freedom, equality, unity and peace. Truly, the words “Masonry is in the heart of great men among nations” was upheld. Perhaps if more Masons were involved in our Government and Filipino Communities abroad, our dream of unity will be hastened. But many seem to be content with following the blind rather than leading them.

As Promised ...


Friday, March 21, 2008

Look what I found!



Do you remember Weng Weng? A B movie midget actor in Manila who made movies ala James Bond. Apparently there is an Australian who got so mesmerized by our little Agent 00 that he did a documentary on him.

Read on...

One night in 1996, Australian cult video store owner-turned-guerrilla filmmaker Andrew Leavold dreamt he was in the Philippines directing a documentary about Weng Weng, the long-dead Filipino midget James Bond. Ten years later, he's actually in Manila making a deal with the forces of chaos and following his two-decade obsession to its logical conclusion. It's just the beginning of a very strange adventure, and as fate would have it, it's all captured on film. Armed only with a Mini-DV camera and with a head full of gloriously bad B-movies, Leavold fearlessly leaps into the trenches of the Philippines' once thriving film industry and allows blind chance and serendipity to point the way. He discovers a schizophrenic Asia-cum-America dotted with shopping malls and a scale model of Hollywood now a disaster zone, symptomatic of a country attempting to claw its way out of its post-colonial malaise, yet curiously on the verge of a digital filmmaking revolution. As for Weng Weng: he remains an enigma even to those who worked with him. His reign as the midget Agent 00 was an outrageous novelty that plucked him from complete obscurity and returned him just as quickly. What was he like? When and how did he pass away? In a country of 80 million people, it seems the truth about Weng Weng has slipped between the cracks forever. THE SEARCH FOR WENG WENG leapfrogs from one eccentric character to the next - directors, producers, actors, stuntmen, midget waiters, transvestites and dwarf zombies, each one with a unique place in Filipino cinema - all the while dismantling the country's greatest filmic urban legend. It's part detective story, part forgotten B-film history, and part surreal Quest for the Holy Grail - that is, if the Grail is a two-foot-nine superstar called Weng Weng. Written by Andrew Leavold

DON CARLOS PALANCA TAN QUIEN-SIEN

DON CARLOS PALANCA TAN QUIEN-SIEN

Written by Senor Enrique blogspot

His life was a classic rags-to-riches story: Born of a poor family in T’ung-an hsien, he migrated to the Philippines in 1844. Although starting out in a measly position in the textile business, through hard work, tenacity, and acquired connections, he prospered.

Only about twenty years after arriving in Manila, he had risen as a powerful leader in the Chinese community. His wealth stemmed from importing enterprises, which included sugar and rice. He was also involved in coolie brokerage. Besides the businesses that he presided over, there were many commercial ventures in which his investments raked in enormous profits.

When he converted to Catholicism, his baptismal sponsor was Colonel Carlos Palanca Y Gutierrez — a Spanish forces leader in the Franco-Spanish intervention of 1858-62 in Cohin, China. He then assumed the name of his godfather (padrino); changing it from Tan Quien-sien to Carlos Palanca Tan Quien-sien. He eventually became widely known as Don Carlos Palanca.

He attained the position of gobernadorcillo from 1875-77, and again some years later; serving as the interim gobernadorcillo in 1885 and 1889. And when not in office, he continued to move behind the scenes with undisputed power; an effective arbitrator of disputes as well. For his services as gobernadorcillo, Spain granted him the Medal of Civil Merit and the Grand Cross of Isabel the Catholic.

He was always active in community affairs and philanthropy; raising funds for the community hospital and even provided a building for it himself in 1891. His generous donations extended outside of the Chinese community. There were many exemplary accomplishments attached to his name — the abolishment of vice in the community, the end of police extortions of the Chinese; the abolition of the death penalty for crimes committed by Chinese; and through powerful connections in Spain, softened Spanish legislation on the Chinese

He played a major role in the community’s efforts to obtain a Chinese consulate in Manila during the 1880s and 1890s. When the Americans took control of the country in 1898, he provided the American troops with temporary lodging arrangements, as well as furnished them with coolies to build their barracks. Subsequently, he urged the Ch’ing government to negotiate with the United States for a Chinese consulate in Manila. When the consulate was established in 1899, the Ch’ing government appointed his son, Ignacio Palanca Tan Chueco, to the position of first consul.

When the Philippine Revolution broke out he chose to keep distance; not committing to either side. When the Spanish government charged a number of mestizos with conspiracy, he argued in behalf of some of them and helped secure their release, though his attitude toward the Chinese mestizos was one of contempt. Not a believer of inter-racial marriage, he sent his son to a school in China to thwart his filipinization.

The Spanish and Filipinos, on the other hand, regarded Don Carlos Palanca with mixed sentiments. Their pervasive perception of him was that of a master corrupter; one who would resort to extreme measures just to get what he wanted.

He was thought of as a man obsessed with becoming the Chinese consul. He did assume the interim role of which when his son’s return from China was delayed for several months; unable to immediately fulfill his appointment as consul.

There were speculations among the Filipino intellectuals that Jose Rizal modeled after Don Carlos Palanca his character of Chinaman Quiroga in El Filibusterismo. Jose Alejandrino, a friend of Rizal, confirmed that it was indeed the case. Alejandrino further claimed that Don Carlos Palanca approached Aguinaldo — when he was forming his revolutionary government — about the possibility of creating an opium monopoly.

Despite such controversies, he was, undoubtedly, a powerful force in the Chinese community during the late nineteenth century. When he died in 1901, a statue was erected in the Chinese cemetery as a tribute to his community service and philanthropy.

Source:
The Chinese in Philippine Life 1850-1898
By Edgar Wickberg
Ateneo de Manila University Press

Photo of Carlos Palanca credit: Fei-lu-pin Min-li-la Chung-hua Shang-hui san-shi chou-nien k’an ed. Huang Hsiao-ts’ang (Manila, 1936)



Fuerza de Santiago




In my earlier post on the Gate of Fort Santiago, I brought attention to the Spanish soldier trampling moors. I missed this one and did not put together that this is Santiago de Compostela or St James of the Field of Stars. James the Great Apostle was the the brother of John. James converted many to Christianity as such you will see the moors in the picture. Santiago remains under the cathedral in Galicia. This would bring us then to an assumption that since Santiago's final state is in Galicia thus the architecture is Galician.

Here is an interesting history about Fort Santiago from fabulousphilippines.

"When Magellanes again discovered the Islands in 1521 he found a people who knew how to fight, and lost his life at their hands. Urdaneta had difficulty in maintaining peace with the inhabitants of Cebu, and report came to him of a large island called Luzon with a great bay and a sturdy people. When the expedition, under command of Captain Martin de Goiti and Juan de Salcedo, arrived in the year 1570 opposite the town of Manila, a rude but strong wooden palisade was already erected by the natives at the south side of the mouth of the Pasig, and there were twelve bronze cannon, of native manufacture, mounted for the defence of the place. All of this furnishes good ground for belief that Fort Santiago has a history that may be traced back past the dawn of modern Philippine history to the time when the first group of savages were gathered by the Pasig under the leadership of a Mohammedan rajah, and built a log enclosure for defence against other savages about them. The mouth of the river has always been the strategic position of the whole country, and on that same spot Fort Santiago stands to-day. What the tower of London is to England, the Vatican to Rome, ,and Bunker Hill monument to the United States, Fort Santiago is to the Philippine Islands.

Accounts differ a little as to just what happened when Salcedo's expedition sailed into the bay of Manila, but Fr, Juan de la Concepción says that Rajah Soliman rallied his forces and and manned his twelve bronze guns in the palisade and made a goodly defence of the place, but the besiegers were victorious and set fire to the city and afterwards captured Cavite. Another account states that surrender was made without opposition. The cannon were captured and taken to Panay, a treaty was made and signed in blood by Salcedo and Rajah Soliman, and the expedition returned to Cebu.

When Legaspi heard of the fine location and great bay of Manila, he at once made preparations to shift his headquarters, and, in April, 1571, he took the city, and found it empty, as the inhabitants had fled after setting fire to their houses. Legaspi soon placated the Rajah, and in June of the same year founded the city of Manila, and the written history of Fort Santiago began. The old palisade was once strengthened, and the natives were commanded to build a wall about the place, to erect a good house for the governor and one hundred and fifty houses for the Spaniards. All this they promised readily enough, but were attacked with "philippinitis" and forgot to do the work. This made it necessary for the Spaniards to work on the fort themselves. The wooden walls were reinforced with earth; but the new governor, Santiago de Vera, seeing the need for more stable protection than a wall of stakes, cleared the ground and laid the first stones of the fort that bears his name. These stones are still in the wall, though difficult to identify at the present time.

When Governor Dasmariñas arrived in 1590 he brought instructions from the king of Spain to fortify the place so as to insure it against all attacks by land or sea and at once set about the work. His first construction was that of the circular wall still standing in front of the parapet of the fort itself. It is in the lower level, and is washed by the waters of the Pasig. Since the American occupation a road has been built by which the visitor may enter the fort from the Malecon drive. The entrance and the stairway, leading from the lower portico to the new building on top of the wall, are also of very recent construction. When Dewey anchored off the breakwater, and General Merritt entered the inner quadrangle to sign the articles of capitulation, there was no building of any sort on the wall, but it was fortified with the best artillery the city afforded.

As per Wikipedia...
Santiago de Vera was the sixth Spanish governor of the Philippines, from 16 May 1584 until May 1590. The construction of the walled city of Intramuros, Manila, commenced during his term. Fuerte de Santiago (Fort Santiago) in Intramuros was named after him.

Thursday, March 20, 2008

Good Friday







Today is Good Friday and we are all prepared to trek to my Papi's farm.


We grew up spending weekends in my Papi's farm, enjoying the rural life. We rode carabaos, horses, harvested vegetables, and climbed the sineguelas tree. We lunched around the old Sampaloc tree , fed the chickens and pigs. We grew appreciating the simple things in life.

My kids and their cousins enjoyed the farm animals.

Tuesday, March 18, 2008

El Hogar



This is the favorite building of my Darling Husband

Still looks beautiful but I hope a philantropist or a Heritage Conservation Group will do something about it. Maybe UNESCO, USA or Japan can help us out here.

The El Hogar Filipino, almost a century-old, stands forlorn on the seedy southern end of Juan Luna Street (Anloague Street, where Capitan Tiago’s house in Jose Rizal’s “Noli me Tangere,” once stood). Standing beside it are the concrete remains of the old Hong Kong and Shanghai Bank on storied San Gabriel Street.

El Hogar, standing by the banks of the Pasig River, still has a number of tenants. Its ground floor gets flooded when the smelly Pasig River—thick and brownish—swells when filled with wild water lilies. The dank odor of old buildings follows you as you gingerly step on improvised wooden planks to avoid the muddy water. (Luis Sioson)

Remembrances of Streets in Manila


This is a canal in Escolta. Take a look at the reed boat on the left.
Doesnt this remind you of Venice?

Escolta canal now. Just try swimming here. Sayang.

A better picture of Escolta taken on July 4, 1899
Escolta was the place for trading, known as Queen of the Streets


Remembrances and the streets of Manila

By Luis R. Sioson

Editor's Note: Published on page A17 of the August 20, 2006 issue of the Philippine Daily Inquirer

CERTAIN sections of Ermita, Sta. Cruz, Binondo and Quiapo are fascinating pieces in the city of Manila’s mosaic. But the plazas seem to have shrunk because there are more people and motor vehicles.

The churches, on the other hand, remain durable and visible landmarks, spiritual sanctuaries for hundreds of pedestrians and visitors. People ply various trade on streets and sidewalks among old buildings and structures, testaments to time’s quick passage.

The pace is slower in the Ermita of the Guerreros than in Sta. Cruz and Quiapo across the Pasig River to the north. There is more space in this district that still bears traces of its genteel past. Shady trees line some of its streets and a few old homes still exude the elegance of a bygone era.

On T. M. Kalaw Street, just off noisy (and polluted) Taft Avenue that intersects UN Avenue (formerly Isaac Peral), one can retreat to the quiet of the United Central Methodist Chapel hidden in the shadows of a large mall that replaced the old Harris Memorial Building.

The section, bounded on the south by Padre Faura Street, on the north by T. M. Kalaw (San Luis Street), on the east and west by Taft Avenue and Roxas Boulevard (Dewey Boulevard), respectively, is dominated by American Period buildings housing the Supreme Court, Court of Appeals, University of the Philippines Manila and Philippine General Hospital.

The old Ateneo and its next-door neighbor, Assumption College on Adriatico Street (Dakota Street) and Pedro Gil (Herran), have been replaced by Robinson’s tower and a sprawling mall.

At the corner of Padre Faura and J. Bocobo Street (Nebraska) is a cream-colored residence- turned-restaurant, its charming balcony and stairway remarkably well maintained.

Oldest ‘real’ bookstore

The nearby Marietta Building also on Bocobo, has been re placed by a condominium. Ulog was a popular jazz joint on the same street. F. Sionil Jose’s Solidaridad Bookshop, probably the oldest “real” bookstore in the city, still sells books on P. Faura. Erehwon Bookshop, once the hangout of poets, English majors or anyone looking for hard-to-find books, was once a neighbor.

Za’s Café and Hizon’s Bakeshop at the corner of Arquiza and Bocobo streets still serve their famous ensaimadas, raisin bread and pricey coffee. The café has outlived the other coffee shops in the neighborhood—Taza de Oro, Country Bakeshop, Rolling Pin and United Supermarket’s.

To the west of Padre Faura, corner Roxas Boulevard, one faces the unsettling vista of rundown buildings side by side with a modern glass, steel and concrete structure. On this corner once stood a beautiful mansion owned by a prominent family. It became a bank later.

Ermita Church stands guard over the now quiet tourist belt and a row of naughty bars. The park in front of it is no longer called Plaza Ferguson but Nuestra Señora de Guia.

On UN Avenue is the Philamlife building. Inaugurated in 1961, it has a well-maintained theater that was (and still is) a venue for memorable musical performances and stage plays. The glass-paneled cafeteria, with its adjacent chapel and indoor garden, drew thousands of faithful patrons for lunch and merienda.

Across the avenue is the Manila Pavilion (formerly Manila Hilton and then Holiday Inn). Still eye-catching is the tall white and green Don Alfonso Sycip Building, standing at the corner of UN Avenue and M.H. del Pilar.

Delightful sight

On a quiet narrow street called Alhambra that connects UN Avenue to T.M. Kalaw, is the old Diokno house, a striking two-story white building with a black iron-railed balcony overlooking the street. It is a delightful sight amid towering structures and a tangle of telephone and television cables.

The renovated Bayview Hotel, built in 1935, still stands at the corner of UN Avenue and Roxas Boulevard. Across is the Bel-Air Apartment building, designed and constructed in 1937 by National Artist Pablo Antonio.

Opposite are the former Elks Building and the fabled Army and Navy Club where members of the elite hosted parties or watched plays staged by members of the American community.
Beyond the stretch of graceful apartments and glamorous hotels beckons Manila Bay where people watch magnificent sunsets.

Northward across Jones Bridge, are Plaza Moraga and Plaza Cervantes of Binondo. The conjoined squares that once comprised the city’s throbbing center of commerce now lie desolate in the shadows of aging buildings.

The El Hogar Filipino, almost a century-old, stands forlorn on the seedy southern end of Juan Luna Street (Anloague Street, where Capitan Tiago’s house in Jose Rizal’s “Noli me Tangere,” once stood). Standing beside it are the concrete remains of the old Hong Kong and Shanghai Bank on storied San Gabriel Street.

Farther north, intersecting Juan Luna, is Estraude Street where Rizal’s house was located and where his mother supposedly waited and prayed while he was being escorted to his execution in Bagumbayan (Luneta).

El Hogar, standing by the banks of the Pasig River, still has a number of tenants. Its ground floor gets flooded when the smelly Pasig River—thick and brownish—swells when filled with wild water lilies. The dank odor of old buildings follows you as you gingerly step on improvised wooden planks to avoid the muddy water.

Nearby, the old Insular Life Building facing the Uy Chaco Building (constructed in 1914) in Plaza Cervantes looks dreary and worn, shorn of its emblem of a proud eagle perched on top of its small dome. The top floor used to house radio station dzRH that featured in its programs popular movie stars at the time like Rosa Rosal, Jaime de la Rosa, Pugo, Tugo and other entertainers.

Rizal slept in this hotel

On the same small block stood the First National City Bank of New York and the Bank of the Philippine Islands. Paredes (Rosario) Street still does some business. Plaza San Lorenzo Ruiz (Plaza Calderon de la Barca) in front of Binondo Church teems with pedestrians and motor vehicles. On this square once stood Hotel de Oriente, a “five-star hotel” that Rizal patronized.

Escolta has retained its name but not its unofficial title, “Queen of the Streets.” The Crystal Arcade, Botica Boie, Heacock’s, Alonzo, Estrella del Norte, Dencia’s Pansit Malabon, Max’s Fried Chicken, Henry’s Donuts and other well-known establishments are gone. But Savory Restaurant is still around.

A dying Escolta

Escolta has been dying all these years though some businesses still remain. First-run movie theaters Capitol and Lyric are long gone. Nueva Street, where Andres Bonifacio once worked as a sales agent of Fressell y Cia, now carries the name E.T. Yuchengco.

David Street is now Burke Street while across the City College of Manila (formerly the Philippine National Bank head office) is Calvo Building. Soda Street, the Love Bus terminal before, is unrecognizable.

The Perez-Samanillo Building (now First United) and Regina Building still stand strong, proud sentinels at the entrance to Escolta from Sta. Cruz Church. The Samanillo Building, constructed in 1930, was designed by Andres Luna de San Pedro, son of painter-patriot Juan Luna. (Why is the son's name de San Pedro? Does that mean Juan Luna remarried a lady whose last name is San Pedro? No kids with Paz Pardo de Tavera?)

Neglected and unnoticed by passersby is a historical marker honoring patriot-newspaperman Patricio Mariano on Banquero (Bangkero) Street, beside the Escolta Bridge, on the edge of a garbage-congested canal.

From the bridge to the left on Plaza Sta. Cruz, the historic Carriedo Fountain shoots out sprays of water that sparkle in the sun. The fountain stands between the Sta. Cruz Church and Monte de Piedad, the country’s oldest savings bank where Manuel L. Quezon, Commonwealth President, once worked as a clerk. The short Bustos Street links the plaza to Avenida Rizal.

The strip between the drab dirty-white Capitan Pepe Building and the equally drab dirty-white Priscilla Building on the Avenida Rizal-Recto Avenue intersection, southward to Carriedo Street and Plaza Lacson (Plaza Goiti), was the most popular part of downtown where one could eat, shop and see first-run movies.

The popular cinemas—Ideal, Universal Theater (now Universal Park Mall), Luzon Theaters’ Avenue and State, and Ever—are all gone. Some familiar landmarks like the Arguelles and Guison buildings remain, but the strip has been transformed into a pedestrian promenade with dusty alfresco cafés accented with balding worn-out topiaries.

Locksmiths on Ronquillo Street still practice their trade. Stores painted in loud Mediterranean colors of yellow, blue and red, and a barber shop crowd under the LRT Station on the Carriedo Plaza Lacson junction. This section has, quite accidentally, developed into a kind of open-air concert hall.

The crowds form a half circle to watch and listen to a blind duo of singer and guitarist, static distorting the sound of the music coming from an amplifier powered by a car battery. The blind musicians and their motley audience of commuters have carved out a space under the LRT tracks.

Distracting background

Further distorting the sound of music is a combination of the hard and heavy rhythmic roll of LRT cars, the ear-splitting sounds of videoke machines and the hoarse voices of ambulant peddlers.

On nearby Palanca Street (Echague), Henry Sy’s old Shoemart (some say the first, the original SM) still does brisk business.

Plaza Lacson honors the colorful Manila Mayor Arsenio “Arsenic” Lacson. He stands tall on a pedestal across the old Roman Santos Building topped by a big clock and stone sculptures.

The popular Clover Theatre that brought the public Don Jose Zarah’s Extravaganza and jazz pianist Ping Joaquin, has become the City College of Manila annex.

On the crowded streets leading to Quiapo Church and Plaza Miranda, Sta. Cruz and Quiapo meet, borderless and offering a mix of colors and scents of street food, fruit and flowers. The aromas of fishball, smoked fish, pineapple slices, flowers, burning candles, herbs, roasted castañas and other “chichiria” fill the air.

Platerias, barely visible on congested Carriedo Street, still offer hard-to-find “piezas” (music sheets).

The stretch from Sta. Cruz Church to Quiapo Church is almost impassable, choked by crowds, stalls and merchandise of all kinds. On Plaza Miranda, balloon vendors, fortune tellers and novena sellers vie for the attention of church goers.

Take a trip to nostalgia and enjoy the walk and the remembrance of things past and present. It will be good for your soul and your sole.

(Luis R. Sioson, president of the Torres High School Class 1955 Foundation, has been writing articles about Tondo and other districts of Manila.)